bedsitter23: (Default)
3. This summer, PBS ran a special on the Dave Clark 5. The documentary was out to state that it used to not be "The Beatles or the Stones" but "the Beatles or the Dave Clark 5". Sure enough, that is what people who were actually there will tell you- whether it's my mom, or the likes of Bruce Springsteen, Tom Hanks, Stevie Wonder, etc (who appeared in the show).

There are two sides of the story, of course, and so you can't blame the need for some re-examining. The DC5 don't fare well in modern re-telling as compared to the Stones, Kinks, or even the Animals. Their run on the charts is pretty amazing and those early singles still stand up.

That said, even though the proposition that DC5 should be considered more important, is hard to arrive to when it seems like the only song they play over and over again is "Glad All Over". "Glad All Over" is fantastic, but from there, it's a bit downhill.

The highpoints are all covered- the influence on Springsteen, 100 million records sold, 15 consecutive Top 20 singles, 18 Ed Sullivan appearances, and first of the British invasion to tour America.

Oddly, the main keypoint about Dave Clark seems to be that he was a smart businessman.  He owned the rights to the music, so was able to limit releases of the material, which happened to coincide with a great demand and the rise of compact discs.  Similarly, he bought the rights to 60s British shows like Ready Steady Go that no one was interested in, and was able to sell high in the VHS age when people wanted the material in the 80s and 90s.

It's a bit of a strecth to make the Clark the genius he wants this show to make him material.  His output after 1970 is certainly not on par with that of solo and band careers of the likes of the Who, Stones, or Kinks.

A big focus was put on his space rock opera Time.  In some ways,

time has helped "Time".

It seems incredibly dated and campy (sorry, Dave) though wholly appropriate to the 80s. No more insane than "Kilroy was here" or "Superman III".

Per wiki, it's the story of a musician and his band who have been transported from a concert to the Hight Court of the Universe in the Andromeda Galaxy. The Time Lord Melchisedic calls on the band to defend their role in the universe and save Earth. So there's that.

You know, I get we want to think of Clark as a lost genius, but maybe if this is a masterpiece, then maybe "Dirty Work", "UK Jive" and "Psychoderelict" are too. Time has helped "Time", in that did feature Lawrence Olivier, Burt Bacharach, and Freddie Mercury, and in a post-Freddie world, it's difficult to say anything he touched wasn't Gold. Since it was 1986, you also have Leo Sayer, Julian Lennon, Dionne Warwick, and Cliff Richard.

I appreciated the focus on Clark and he deserves his due, but also thought things were a bit overdone.

4. While I claim I don't watch a lot of serious television (because of time), it does lead to watch a lot of throwaway tv. Penn and Teller's "Fool Us" is certainly that.

Based on the British show of the same name, CW debuted this show which does to magic what "The Voice" and "American Idol" did for music and what "America's got Talent" has done for all sorts of crap.

Magicians come on and try to 'fool' Penn and Teller. It comes across as the kind of show that no one will get passionate about, but a group of people might agree to watch.

Since it's Penn and Teller, it is entertaining; and since if you just heard this show's plot described to you, you would never think of tuning in, P&T of course bring it to life. I can't imagine even the most diehard fans DVRing this, but if you are a fan of the duo, you do need to check out a show or two (Note: This show debuted this summer, as far as I am aware it is still going)

5. I mentioned it here before, but the new season of H2's "10 things you don't know about" is in full swing. H2 is probably best known as History channel's little brother that spends too much time on shows like 'Ancient Aliens".

"10 things" has been on for a few years now, but last year, brought Henry Rollins in as a host. The nature of the show is that it probably isn't more interesting with Rollins as host. It's all about unknown facts. However, Rollins does have a charisma which does contribute to the show.

Though Rollins's reputation did take a hit this summer with his comments about Robin Williams, I do think suicide is one of those things that affect people in different ways, and think Rollins was just moved in a different way than others would.

Maybe this next generation will think of Rollins more in terms of Dorris Kearns Goodwin and less in terms of Greg Ginn. Okay, probably not, but it's great 'throwaway' viewing, and it does generally hit on history you don't run across (which is probably more history than you would get on the channel's other shows).
bedsitter23: (Default)
Because things rounded to five sound more impressive. Mostly out of date, mostly about tv.

1-"Constantine"- I don't know. I never did see the Keanu Reeves film, which may possibly have been on purpose. This is a favorite character of mine, and though like Batman (leaves some room for variation) I am afraid I am going to have a certain way of expectations.

Truthfully, I have not done a good job of keeping up on the multiple comic-inspired tv shows. I probably should have gotten in on the ground floor of "Gotham" but I didn't. This has more to do with me than anything (and lack of time commitment) but I did happen to catch the pilot for Constantine, and I thought I would watch it.

Reviews (critics and friends) really liked it. I don't know. I felt it felt a bit cheap (a bit 90s horror-ish). I didn't want to play the obvious card, but it wouldn't this have been so much better on HBO. I don't watch a lot of what is popular primetime "horror" but it seems that even if "American Horror Story" is an unfair comparison, at least shows like "Sleepy Hollow" have stepped the game up.

Lastly, I am not exactly sold on Matt Ryan as the Hellblazer. It's not that he doesn't smoke (thanks NBC), but I am not sure he has the charisma needed.

It's hard to tell though if the failing is from him or the material he is given to work with. Perhaps, he also suffers in comparison to the great Brits who have graced the Big 4 in recent years (without even making comment on those others on cable)- Elementary's Miller, House's Laurie, Mentalist's Baker, etc..

I don't find Ryan gripping, and for this character, he should be. Again, I am not sure if he's to blame or the show is to blame. In any case, all of the things I have criticized, do seem to be the obvious. It's on NBC. One thinks if it was on another network, it would score a bigger cast, have better graphics, and generally be an altogether better show, but there you go.

2- On the other side of the coin, I did watch (months ago) the finale to NBC's "Revolution".

I have to say I had some criticism of it to after just seeing the pilot, but stayed on for the ride. I wasn't convinced that the cast was movie star quality. Certainly the likes of Billy Burke, Giancarlo Esposito, and David Lyons aren't going to be topping the marquis, but they are some of the strong actors and actresses in the bunch.

"Revolution" if you don't remember is the post-apocalyptic show where all of the electricity went out (not to be confused with that one post-apolcalyptic show on SyFy) and because it was 2012, it was marketed as a 'teen aged girl with a bow" show because "because Hunger Games".

Maybe it has always been like this, but it's got to be a risk to tell a linear story on tv. Ultimately, that was "Revolution"s downfall. It bred some dedicated fans, but why would anyone want to start in the middle of a story that is already in progress.

Indeed, I regret I didn't get in the ground floor on the Blacklist. It actually looks pretty good, but I didn't know if NBC was going to commit to a crime drama starring James Spader.

Which of course, is the rub. If you start with "Revolution", you were going to have to end with it. No wonder every show on CBS is either a comedy or a weekly "Whodunit" crime procedural. There's no room for error.

Indeed some shows do go viral and in 2014, it's no big thing to go back and start with Season 1, Episode 1. In fact, maybe now is a better time for that than ever. Who really got in on the ground floor for "Breaking Bad"? Who was talking about "The Walking Dead" when it originally premiered. I can tell you. It was a handful of comic geeks, because I was one of them.

Post-apocalypse stories are going to be tough, but "Revolution" did generally work. The cast gave strong performances, and you had people like JJ Abrams and Jon Favreau off screen.

"Revolution" did have a subplot that I think did damage it. (While one of the big questions was "Why did the power go out", the attempt to fuse "Lost" or "The Matrix" style drama into the show was an unnecessary and negative distraction to the overall "Now, that the power is out..." action drama that drove the narrative.

"Revolution" was cancelled and so we did not get much in the way of a satisfying ending. It unfortunately, feeds some of the fears that are almost self-prophesizing. Why should a network run a sci-fi show like this if no one is going to watch? Why am I as a viewer going to watch a show that the network will kill off the first chance they get?

More "things" to follow....

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