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The question is when is it not campaign season in Iowa.

Well, undoubtedly, there is talk right after the election. Even before that, people look 6-8 years out.

But a true barometer is the campaign ad, and sure enough, we got out first one.

So the answer must be 15 months. 15 months since November 2016.

As you might now, the Super Bowl is famous for its ads, but they also save some room for local ads. So, even with all the 5 million dollar ads, you have to make room for the local grocery store and car dealers (and this year, this wonderful Super Bull ad.)

In which case, Presidential candidate John Delaney (and at this point, he is the only candidate) went ahead and bought an ad to air during the Super Bowl.

Yes, 1008 days out.

The ad ran in most of the major Iowa television markets (Des Moines, Sioux City, Davenport, and Cedar Rapids) and cost $37,000 according to CNN, who also reported we are just barely closer to the 2020 caucuses than we are from the 2016 caucuses.

To Delaney's credit, it would seem logical to get his message out before anyone else for name recognition. If eh waits too long, he will be overshadowed by bigger names, and this being 2020, that may not only mean Elizabeth Warren, Joe Biden and Cory Booker, but indeed Oprah Winfrey, Dwayne Johnson and Mark Cuban,

Delaney's ad's theme is one that seems a bit old-fashioned.



(Pic credit: Quad City Times)


Bi-partisianship.

Sounds old fashioned? Now I grew up in those golden Ronald Reagan-Tip O'Neil days, but I look at my social media feeds and that feels like it was 300 years ago, not 30. Bi-partisanship is no longer the buzzword that attracts like it used to. Liberals think of bipartisanship as Bill Clinton selling out a Democrat Agenda to appease Newt Gingrich. Conseervatives attack those who cross the aisle as RINOs.

Delaney indeed won't appeal to the left side of the Democrat party. His most often comparison is that of Joe Lieberman, and given that the caucus tends to pull from the bluest of the blue staters, it's unlikely that wll be considered a good thing.

On the other hand, if he can find an audience, he certainly is trying to play a Conservative Iowa theme that might have some appeal in this purple-ish of states. He's not Bernie. He's not even Hillary. But he does come across blue collar and traditional values.

We will see if his gamble pays off.

That said, there's possible downsides to starting so early. I remember Tim Pawlenty's failure to launch. Pawlenty, similarly had a feel-good approach, and started early to try to offset his uphill climb against established politicos like Mitt Romney and Newt Gingrich. He just spent a lot of money and was otherwise ignored.

Iowa is just starting another campaign - the 2018 Gubernatorial race. It will be competitive as it is the first time it looks to be really competitive in years. Iowa is about to be besieged with tons of ads and even some candidates they aren't that familiar with.

This probably leaves even less room for Delaney, but we shall see what happens.
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Go back in the archives and you know I told you about Joni Ernst before anyone else.

When she modelled herself as the next Sarah Palin (and let's be honest, the Tina Fey as Palin) and went full into the Palin meme, she flung herself into political superstardom.

I wasn't too surprised when she beat a self-made millionaire in the Romney mold (besides, he was just a RINO,right?), but when she beat a popular Democrat for Tom Harkin's vacant US Senate seat, we knew there was no turning back.

Surely, her ceiling is limited, but there has been no indication of this to date.  Perhaps, she has done a good job of becoming Michelle Bachmann by not actually voting on anything.  There's no controversial stances or missteps when you miss 75% of the votes.

I don't believe like Harkin, that Ernst is popular because she's hot like Taylor Swift

Still she's nailed it, which why it was no surprise to me that she was giving the GOP response to the State of the Union.

We also figured she'd go all in, which she did.

Camo heels, anyone?



Or that she would give a downhome Iowa talk about how she wore breadbags on top of her shoes when it was snowing as to keep them dry because they were only good pair.

(As an aside, Ernst who doesn't believe in a minimum wage (at all) and surely is anti-big government above all else, has seen her family benefit in a half a billion dollars of government money)

Which is a story I think we have all heard from our parents and grandparents, how they wore breadbags over their shoes walking to school (Uphill both ways)

How modest.


“You see, growing up, I had only one good pair of shoes. So on rainy school days, my mom would slip plastic bread bags over them to keep them dry,” Ernst said. “But I was never embarrassed. Because the school bus would be filled with rows and rows of young Iowans with bread bags slipped over their feet.”

By the way, every joke you thought of has already been compiled and it is here.

Ernst is 44 which makes me think this anecdote may be false.  It is a good story of Depression-era hard times, but seems to ring false.  Ernst probably did have a rural upbringing, but as I am surrounded by Iowans of similar age, none seem to have experienced this.  They retell the story from their parents and grandparents, but I am having a hard time otherwise.

Iconic Iowa t-shirt maker Raygun, of course is there to capture the moment

Raygun new Bread Bag shirt inspired by Ernst


Still, the buzz on Joni is she is a hit.  By that, i mean she didn't have a catastrophic appearance like Bobby Jindal or Marco Rubio, which in turn is close enough for a hit.

Surely, one day, Ernst-mentum will take a hit, but I don't see that time coming too soon.

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3. This summer, PBS ran a special on the Dave Clark 5. The documentary was out to state that it used to not be "The Beatles or the Stones" but "the Beatles or the Dave Clark 5". Sure enough, that is what people who were actually there will tell you- whether it's my mom, or the likes of Bruce Springsteen, Tom Hanks, Stevie Wonder, etc (who appeared in the show).

There are two sides of the story, of course, and so you can't blame the need for some re-examining. The DC5 don't fare well in modern re-telling as compared to the Stones, Kinks, or even the Animals. Their run on the charts is pretty amazing and those early singles still stand up.

That said, even though the proposition that DC5 should be considered more important, is hard to arrive to when it seems like the only song they play over and over again is "Glad All Over". "Glad All Over" is fantastic, but from there, it's a bit downhill.

The highpoints are all covered- the influence on Springsteen, 100 million records sold, 15 consecutive Top 20 singles, 18 Ed Sullivan appearances, and first of the British invasion to tour America.

Oddly, the main keypoint about Dave Clark seems to be that he was a smart businessman.  He owned the rights to the music, so was able to limit releases of the material, which happened to coincide with a great demand and the rise of compact discs.  Similarly, he bought the rights to 60s British shows like Ready Steady Go that no one was interested in, and was able to sell high in the VHS age when people wanted the material in the 80s and 90s.

It's a bit of a strecth to make the Clark the genius he wants this show to make him material.  His output after 1970 is certainly not on par with that of solo and band careers of the likes of the Who, Stones, or Kinks.

A big focus was put on his space rock opera Time.  In some ways,

time has helped "Time".

It seems incredibly dated and campy (sorry, Dave) though wholly appropriate to the 80s. No more insane than "Kilroy was here" or "Superman III".

Per wiki, it's the story of a musician and his band who have been transported from a concert to the Hight Court of the Universe in the Andromeda Galaxy. The Time Lord Melchisedic calls on the band to defend their role in the universe and save Earth. So there's that.

You know, I get we want to think of Clark as a lost genius, but maybe if this is a masterpiece, then maybe "Dirty Work", "UK Jive" and "Psychoderelict" are too. Time has helped "Time", in that did feature Lawrence Olivier, Burt Bacharach, and Freddie Mercury, and in a post-Freddie world, it's difficult to say anything he touched wasn't Gold. Since it was 1986, you also have Leo Sayer, Julian Lennon, Dionne Warwick, and Cliff Richard.

I appreciated the focus on Clark and he deserves his due, but also thought things were a bit overdone.

4. While I claim I don't watch a lot of serious television (because of time), it does lead to watch a lot of throwaway tv. Penn and Teller's "Fool Us" is certainly that.

Based on the British show of the same name, CW debuted this show which does to magic what "The Voice" and "American Idol" did for music and what "America's got Talent" has done for all sorts of crap.

Magicians come on and try to 'fool' Penn and Teller. It comes across as the kind of show that no one will get passionate about, but a group of people might agree to watch.

Since it's Penn and Teller, it is entertaining; and since if you just heard this show's plot described to you, you would never think of tuning in, P&T of course bring it to life. I can't imagine even the most diehard fans DVRing this, but if you are a fan of the duo, you do need to check out a show or two (Note: This show debuted this summer, as far as I am aware it is still going)

5. I mentioned it here before, but the new season of H2's "10 things you don't know about" is in full swing. H2 is probably best known as History channel's little brother that spends too much time on shows like 'Ancient Aliens".

"10 things" has been on for a few years now, but last year, brought Henry Rollins in as a host. The nature of the show is that it probably isn't more interesting with Rollins as host. It's all about unknown facts. However, Rollins does have a charisma which does contribute to the show.

Though Rollins's reputation did take a hit this summer with his comments about Robin Williams, I do think suicide is one of those things that affect people in different ways, and think Rollins was just moved in a different way than others would.

Maybe this next generation will think of Rollins more in terms of Dorris Kearns Goodwin and less in terms of Greg Ginn. Okay, probably not, but it's great 'throwaway' viewing, and it does generally hit on history you don't run across (which is probably more history than you would get on the channel's other shows).
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Because things rounded to five sound more impressive. Mostly out of date, mostly about tv.

1-"Constantine"- I don't know. I never did see the Keanu Reeves film, which may possibly have been on purpose. This is a favorite character of mine, and though like Batman (leaves some room for variation) I am afraid I am going to have a certain way of expectations.

Truthfully, I have not done a good job of keeping up on the multiple comic-inspired tv shows. I probably should have gotten in on the ground floor of "Gotham" but I didn't. This has more to do with me than anything (and lack of time commitment) but I did happen to catch the pilot for Constantine, and I thought I would watch it.

Reviews (critics and friends) really liked it. I don't know. I felt it felt a bit cheap (a bit 90s horror-ish). I didn't want to play the obvious card, but it wouldn't this have been so much better on HBO. I don't watch a lot of what is popular primetime "horror" but it seems that even if "American Horror Story" is an unfair comparison, at least shows like "Sleepy Hollow" have stepped the game up.

Lastly, I am not exactly sold on Matt Ryan as the Hellblazer. It's not that he doesn't smoke (thanks NBC), but I am not sure he has the charisma needed.

It's hard to tell though if the failing is from him or the material he is given to work with. Perhaps, he also suffers in comparison to the great Brits who have graced the Big 4 in recent years (without even making comment on those others on cable)- Elementary's Miller, House's Laurie, Mentalist's Baker, etc..

I don't find Ryan gripping, and for this character, he should be. Again, I am not sure if he's to blame or the show is to blame. In any case, all of the things I have criticized, do seem to be the obvious. It's on NBC. One thinks if it was on another network, it would score a bigger cast, have better graphics, and generally be an altogether better show, but there you go.

2- On the other side of the coin, I did watch (months ago) the finale to NBC's "Revolution".

I have to say I had some criticism of it to after just seeing the pilot, but stayed on for the ride. I wasn't convinced that the cast was movie star quality. Certainly the likes of Billy Burke, Giancarlo Esposito, and David Lyons aren't going to be topping the marquis, but they are some of the strong actors and actresses in the bunch.

"Revolution" if you don't remember is the post-apocalyptic show where all of the electricity went out (not to be confused with that one post-apolcalyptic show on SyFy) and because it was 2012, it was marketed as a 'teen aged girl with a bow" show because "because Hunger Games".

Maybe it has always been like this, but it's got to be a risk to tell a linear story on tv. Ultimately, that was "Revolution"s downfall. It bred some dedicated fans, but why would anyone want to start in the middle of a story that is already in progress.

Indeed, I regret I didn't get in the ground floor on the Blacklist. It actually looks pretty good, but I didn't know if NBC was going to commit to a crime drama starring James Spader.

Which of course, is the rub. If you start with "Revolution", you were going to have to end with it. No wonder every show on CBS is either a comedy or a weekly "Whodunit" crime procedural. There's no room for error.

Indeed some shows do go viral and in 2014, it's no big thing to go back and start with Season 1, Episode 1. In fact, maybe now is a better time for that than ever. Who really got in on the ground floor for "Breaking Bad"? Who was talking about "The Walking Dead" when it originally premiered. I can tell you. It was a handful of comic geeks, because I was one of them.

Post-apocalypse stories are going to be tough, but "Revolution" did generally work. The cast gave strong performances, and you had people like JJ Abrams and Jon Favreau off screen.

"Revolution" did have a subplot that I think did damage it. (While one of the big questions was "Why did the power go out", the attempt to fuse "Lost" or "The Matrix" style drama into the show was an unnecessary and negative distraction to the overall "Now, that the power is out..." action drama that drove the narrative.

"Revolution" was cancelled and so we did not get much in the way of a satisfying ending. It unfortunately, feeds some of the fears that are almost self-prophesizing. Why should a network run a sci-fi show like this if no one is going to watch? Why am I as a viewer going to watch a show that the network will kill off the first chance they get?

More "things" to follow....
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Of course. the Ultimate Warrior's death has led to conspiracy theories.  Largely because he made his first appearance on Monday night Raw for the first time in 16 years this week.  Apparently, he flashed Illuminati signs if you know where to look.

The Warrior death led to Nancy Grace taking the most sensationalistic approach possible.  She had Diamond Dallas Page on this week, and though DDP did say everyone used back in the day, that the industry has cleaned up and we know more about steroids than we did 20 and 30 years ago.  Grace also claimed that Owen Hart died of a steroid overdose.

Wrestlers have been angry at Grace all week, and Zeb Colter had the best tweet of all

If anybody receives an email entitled NANCY GRACE NUDE, do not open it. It's not a virus. It really is Nancy Grace nude. @NancyGraceHLN@WWE


- - -
Wrestlemania culminate with Daniel Bryan winning the WWE belt.  Bryan is huge with wrestling fans in a way I never expected.

CM Punk did well in recent years and is cut from much the same mold Bryan is- came from Ring of Honor, really into the fans, lives a clean life style, really has put in time to learn the craft, and is an average looking guy.

I never expected Bryan to get as huge as he has.  He's clearly the biggest star (in many ways) since the Attitude era; yet, I don't think that has crossover into mainstream appeal.

Bryan's angle is with Triple H and Stephanie McMahon (for pro wrestling purposes- the COO and Owner of the Company).  It is an angle that the WWE has used quite often- but it's the rebel vs the corporation.

Most famously, that was the angle used to make Stone Cold Steve Austin huge.  I think Austin beats Bryan for charisma, and he was one of my favorite all-time wrestlers, but that angle didn't sit right with me.

I know people loved to see Austin tell his boss off or drop him into a Stunner, but if any of us did that ,we would be fired immediately.

The Bryan/HHH angle rings true.  So true to the point of wondering how real it is.  The idea is that the WWE think Bryan is too small to be champion (at 210 pounds, he's smaller than 90% of the roster) and that champions should be muscle bound men like Batista and Randy Orton.  Those are the types of people Triple-H want to see as face of the company.

I really like the angle, and we inevitably got the pay-off, though it felt like we never would.  I do like Bryan (don't get me wrong) and I like him a lot, but I never expected him to be embraced like he has. Crowds go crazy when he is in the ring.

Also, I really liked the way he was awarded his match against triple H.  Of course, as COO, Triple H would never have to put him in a match (kayfabe) but something akin to the Occupy! movement happened with Bryan taking over Raw.

http://www.wrestlesite.com/wp-content/uploads/2014/03/RAW_1085_Photo_140.jpg
- - -

At Wrestlemania, one of the industries biggest talents John Cena faced Bray Wyatt.

In the last five years, any new WWE talent first has to come through their developmental program NXT.

Some stuff sticks and a lot doesn't (last Monday, Raw introduced a new guy with a Russel Brand-type gimmick. Hmmm...)

Outside of Bryan (who already had a fanbase from Ring of Honor), Wyatt has to be the most successful of these new wrestlers.

He is also one of the most unlikely.  He does have a wrestling pedigree.  He is Mike "IRS" Rotundo's son and related by marriage to the Windham/Mulligan family.  However, he is not the typical wrestler bodytype, to the point that his original name was Huskey Harris.

Like Bryan, Wyatt s one thing the WWE has going that is right.  He's a heel, but I think inevitably he will get too popular.

It's hard to do a scary character in 2014 a la classics like The Undertaker or Kane, but Wyatt nails it.  He is part Charles Manson and part Swamp People or True Blood.

He may have a long career in front of him a la Kevin Sullivan.  Some people just have the talent, and this guy looked like Chum Lee from Pawn Stars and now is one of the most interesting characters in the sport.

http://i.wrestlinginc.com/featured/bray-wyatt-f.jpg

- - -

Not much else to cover, except the New Age Outlaws wrestled in a match in Wrestlemania... in 2014.  WM30 started with the sport's three biggest stars- Hulk Hogan, the Rock, and Stone Cold Steve Austin.  Hogan was brought back home to the WWE as his role with competitor TNA never managed to pan out in the form of ratings.

Hogan started the night by calling the Superdome "the Silverdome" which ultimately made him look as old as he really was.  The Rock meanwhile is as good on the mic as anyone who ever set foot in the ring, explaining how there are millions of "Rock babies" from over the years, born 9 months after a Wrestlemania featuring the"People's Champ"

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Remember when you saw Paul and Ringo perform together at the Grammies, and you wondered (or perhaps your friends posted on Social Media)'Why didn't they perform any Beatles songs?'.

Perhaps it's because Paul McCartney released a critically acclaimed album last year and the Grammies are all about the best of the present and the future.

Ha ha. Of course not. Grammy isn't far removed from the Beatles active years, where the Fab Four routinely got beat out by Streisand and Sinatra, Petula Clark and "Winchester Cathedral".

No, CBS was holding the footage of the four hour Beatles Grammy tribute for a special all of its own.

Tributes are an uphll battle, of course, and the whole show was a run up to what we really wanted to see- the Fab Two taking the stage.

Instead of showing what today's current artists can do with classic tracks, it seemed to serve the opposite (which is okay) that the Beatles were truly special.

Case in point, Katy Perry's "Yesterday". It was terrible. What makes the original so great is that it is a plaintive lament. Katy over-emoted every word and extended every syllable like she was performing on Broadway. The Beatles were a rock band, and what made that song great was the simplicity, not trying to force it.

Even as exciting as it was to see the Eurythmics reunite, they suffered the same issue. The classic Eurythmics would have made "Penny Lane" proud, but instead we got Diva-ish Lennox giving it the "Walking on Broken Glass" treatment. Not terrible, but not a song that people are looking to download.

The best moments might actually be the country guys. Brad Paisley (with Pharrel) and Keith Urban (with John Mayer) at least played Beatles songs like they were meant for guitar, not for Vegas.

The exception being Imagine Dragons whose cover of "Revolution" reminded me of the many terrible bands in the late 80s glam era who performed unispired bar versions of better songs.

So, Rock won the night. By now, "Hey Bulldog" has gained a reputation as a hidden neo-alt-rock Beatles 'hit', but Dave Grohl and Jeff Lynne tore it up. As did Grohl, Gary Clark Jr, and Joe Walsh on the bar band standard "While My Guitar Gently Weeps." This generation knows Walsh as a punchline (He was a Drew Carey regular) but he tears it up here.

Of course, even the bigger winner were the Beatles themselves. I actually do love Ringo's solo work, but his performances are so 'sing-alongy' that I don't enjoy them (as experienced at the Grammies when he performed 'Photograph' and here on 50's early rock classic 'Matchbox'). I don't blame him. He's probably having more fun than anyone on the planet.

McCartney was great, of course. He's been doing it for years, and it was good to see George Harrison's son join them. I wonder if they could have done more with Yoko and Sean.

I really enjoyed seeing Eric Idle and unfortunately, Idle and Jeff Bridges and the Beatles themselves were the biggest victim of the editor's cut.

I also really enjoyed the conversation (I will use that term instead of 'interview') with David Letterman and the two Beatles. It's appropriate to the Ed Sullivan Theater (where Letterman stands every night now) and someone who was an appropriately aged fan.

Overall, it was worth it, despite no song downloads that I would take away.

I also want to share this NPR piece on the Beatles appearance on Ed Sullivan. It's an interesting story to hear, including facts like Jack Paar almost scooped Sullivan, how the Christmas season worked to the Beatles advantage, and the first 'street team' in the record industry.

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It's the time again for awards shows, and as much as they really aren't relevant in our lives, I can't resist watching them.

Last week was the People's Choice Awards.

The PCAs are the lowest rung on the Awards Show chain.  You can always tell who will win the award because it's the people in attendance.  You almost never see the runners up in the crowd.

There is something a bit satisfying in seeing shows like Psych and Castle winning awards, and you get the satisfaction you don't always get in the Oscars in that Iron Man 3 was named Movie of the Year.

It's easy to see why this is the awards show stepchild when things happen like Britney Spears wins female artist of the year.  No one with any kind of eye would have said that.  She had a couple of singles, but surely Rhianna, Katy Perry, Taylor Swift and others were more in the public conscience.

The PCAs also are trying to find a niche for itself which means it feels like a watered down version of MTV's VMAs.  To lively things up, they included categories like 'Best Bromance" and played up genres like Sci-Fi.

The stars of Two Broke Girls -Beth Bliers and Kat Dennings hosted, and I thought they did fine with an unenviable task of making these awards relevant.  I think both are funny and work well together.  Two Broke Girls is a funny series that is going through some growing pains that come with working into a third season, and although it gets a lot of internet hate, I still find mostly humorous (and raunchy, like CBS's other hit Two and a half Men, it's all pot and sex jokes that I wouldn't dream of watching with my kid.

They had a great opening (that included cameos from Christina Aguilera, Bryan Cranston, and others) and their hosting job won't propel them to the next level, but I thought was decent.

This weekend was the People's Choice Awards.  Hosted by Tina Fey and Amy Poehler, who America (if the media is to be believed) dearly loves.  I am not a Fey fan at all, but Poehler and Fey do seem to have the right combination of humor and tastefulness that makes them work as presenters.

There were plenty of funny moments.  My favorite was presenter Kevin Bacon asking if he was "connected" to anyone at the Awards show, but there were certainly memorable moments like Amy Poehler making out with Bono, Amy portraying Tina's cranky son, Tina's George Clooney zinger ("He would rather float out in space and die than spend time with women his own age" and of course, Alfonso Cuaron telling Sandra Bullockhje was going to give her herpes.

Yeah, thumbs up.  I usually like to be snarky, but credit to the two of them who have made this awards show (which has been an afterthought,. or at least just a show for film diehards) and crossing over to a broad audience.

I am not hip enough nowadays to comment on their selections.  American Hustle clearly has the momentum headed towards the Oscars, and 12 years a Slave and Gravity should fare okay.  I knew there were films that I wouldn't have crossed path with, but there were some like Nebraska and Her that I was completely unfamiliar with.  I am slipping.

TV has become equally obscure.  Ten years, there might be a series on HBO that would steal the spotlight, but there are so many good shows on sucha wide array of channels- AMC and HBO of course, but other pay channels like Showtime have picked their game up and channels that aren't even really 'channels' like Netflix and Starz.

Like last year's Jodie Foster's speech last year, this year's honoree speech was lost on America-  Woody Allen was honored and Diane Keaton gave the speech complete with singing a Girl Scouts song.  While Woody Allen diehards took something away, it seems like the Lifetime Achievement award is the WTF moment  for this show.  Jacquline Bisset similarly gave a speech that was more incoherent rambling than anything else.

As far as snark, yeah, that's what I am here for, but I don't have a lot of it.  I didn't think Captain Phillips was Oscarworthy, but the performances were (It got nominated for Best Film at the Globes).  I am not quite convinced Brooklyn99 is the end-all, be-all comedy, but it is funny. I certainly don't get Andy Samberg winning best comedic actor for essentially being Andy Samberg.

Leonardo DiCaprio took Best Actor.  His speech was a bit overwrought for my tastes, but people seemed to enjoy it, and I really think he is one of our finest actors.  It would be nice to see him win an Oscar this year.

Anyway, that's what I had.  Thoughts?

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Last year, I tried out a few new series and wrote them up.

This year, I have been busy as well not finding too many series that piqued my interest. So, this is going to stick to my usual go-tos- network sitcoms. Hey, I know. So unfortunately, no commentary on any of the hot new dramas, which is probably what my readers would want, if I had readers, but nevertheless...

Brooklyn Nine Nine (Fox)- Clearly the best critically received new sitcom of the year. I do generally like Andy Samberg and thought he could probably carry a sitcom.  Brooklyn 99 puts that to the test.  It is usualy hip to hate on the current cast of Saturday Night Live, and then come around to say how great they are when they are gone- which has happened for the casts of Meyers, Sandler, Ferrell, Fey, and now Samberg.

B99 is generally funny.  It's better than a lot of its competition.  It has a stellar cast- one would never guessed a police show with Andre Braugher and Terry Crews in starring roles would have been a comedy.

That's some of the problem.  Characters like Samberg playing typical Andy and Braugher playing the strong dramatic presence have trouble co-existing.  Can it be a great ensemble comedy a la Barney Miller or will it never break out of the feeling that this is a starring role for Samberg and little else.  Like New Girl (and most of Fox's comedys), it feels just a bit too generic for me.  Funny, sure, but it's hard to imagine anyone ever decides to DVR this series or that they talk about it with friends at work.

It is funny, but is it built for the long run.  It doesn't seem to be.  I am not completely ready to write it off, as with its creators' other show Parks and Recreation it may slowly build steam.

The Crazy Ones (CBS)- Forgive me, but I am a Robin Williams fan (even at his most lowest-common-denominator roles).  That this is a David E Kelley show with Williams in the starring role means CBS was going to push this hard.

For me, it's hard to imagine this show resembling this in any other situation.  because it is on CBS, it's mostly about Robin and each show to date appears to be fairly formulatic.  This honestly should be more of an ensemble show with robin melding into the background, and it would probably resemble something like Kelley's last success Boston Legal.

It is what it is though, and it is a generally funny show.  It doesn't quite fit what is the standard CBS sitcom a la the Chuck Lorre shows or Two Broke Girls, Mike and Molly, Everybody Loves Raymond and the like.  The spotlight is on Williams and his hijinx but he is a sympathetic character and his "bits" are sewed in well to the fabric of the show.

Though the critics have generally criticized Sarah Michelle Gellar and praised James Wolk, I don't agree.  I like Gellar and her relationship as Williams's daughter seems to ring true.

Unfortunately for CBS, it's more of a Kelley show than a Williams show.  It's more clever than funny.  I like the show, but I don't see it making too long of a run as it does not really feel like a show they will stick with. Probably on Fox or ABC (and probably with a bit more gravitas), but not on CBS.

Dads (Fox)- While Brooklyn 99 and Crazy Ones top critics 'best new comedy' lists, Dads is universally hated.  The show is produced by Seth MacFarlane which asks the question if that kind of humor can translate to live action.

Not surprising to me, but the critics don't seem to keep in mind it is MacFarlane and you should know what you are going to get.  I did not see the pilot, but apparently it was as offensive as primetime gets.

Getting past all of that, Dads is a fairly generic comedy.  Like my comments about Brooklyn 9-9 up top, it's hard to imagine anyone would ever DVR this show or buy the complete season on DVD.  It's hard to imagine fans would take to it like Family Guy.

That said, it's better than the critics give it credit for (again, I didn't see the pilot, which set everyone mad).  The cast make it better than what is there- Seth Green, Giovanni Ribisi, Martin Mull, and Peter Reigert. 

I won't go to great lengths to try and defend it, but I laughed a few times, i knew that it was going to be 'adult' in nature and always tune into any show Mull appears on.  It will be on the list of great Fox failed experiments soon enough.

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Credit to Dean Robbins of the Madison, Wisconsin-based Isthmus.

He is a television critic, and the nature of his profession is that as Jay Mohr says "He puts his name on it".

So apologies for making fun of someone I don't know, but he does write about television for a living, so he probably would still think it's worth it.

Dateline-August 22
- VMA Awards Preview

MTV Video Music Awards
Sunday, 8 pm (MTV)

Last year's Video Music Awards was a snore, despite extravagant attempts at naughtiness by the likes of Rihanna and Pink. Not surprisingly, it was also the least-watched VMA ceremony in years.

With Miley Cyrus up for three awards, I was all set to skip the 2013 show...until word came of a Lady Gaga performance. Gaga, missing from the VMAs last year, will perform the debut single from ARTPOP, and it's sure to be an event. In previous VMA appearances, she has covered herself in blood, worn a meat dress and impersonated a man. No one knows what provocations she has planned this time, but I think it's safe to say that on Monday morning no one will be talking about Miley Cyrus.



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The new local morning show anchor is an alumni of The Onion News Network.

That is all.


Elizabeth Klinge

In part, she’s been acting, modeling and living in Chicago. She’s been in a couple of films, and most recently, she’s portrayed entertainment news anchor Kate Meyers in the news parody website “The Onion.”

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Recently stopped by an Iowa town that is just off I-80 as you enter Iowa from Illinois.  A town that has went zero to hero thanks to a show on the History Channel.

LeClaire has a beautiful overlook of the Mississippi River and is known for two things 1- all things antique and 2- maybe the best spot in the country to Eagle watch.

Oh, and Buffalo Bill Cody.

Cody was born in LeClaire and has a museum dedicated to him.  Unfortunately, about 100 years ago, the town missed the boat on its favorite son.  Cody's childhood home was torn down and reassembled in Cody, Wyoming where it stands today.  His birthplace similarly did not survive the times and is also no longer there.

So, Cody's museum is pretty much on the weak side.  It's cheap, so you can't complain, and it has quite a few interesting turn-of-the-20th century antiques, tools, and a real assortment of things, the most interesting to me was a letter signed by Abraham Lincoln and Edwin Stanton.

While, there's probably not enough Cody memorabilia to justify a trip.  Five dollars also lets you walk around the Lone Star, the last wooden- hulled. steam-driven boat to run the Mississippi (it finally failed inspection in the 1960s, after about 100 years of existence) and the last one of its kind still intact.

That's at least somewhat interesting to me.



LeClaire is also home to the Mississippi River Distilling Company which a friend raved about.

I can't add anything more than I trust him and I have tried the product and approve.

Now, we get to the good stuff.

LeClaire is the home of Mike Wolfe's original antique and collectible shop, which you all know and love via the show American Pickers.

Yeah, that one.



It is what it is. It's a small garage with some assorted junk and a couple of very memorable items.  A second shop being built means there are greater ambitions, but it is a small shop that took off out of nowhere.

The counter is run by a tattooed Suicide Girl lookalike, which more than a few people mistakenly think is Danielle  (It isn't.  Danielle is in Nashville, I believe.).  In fact the three girls working all fit a certain Betty Page/rockabilly chic look which i am not sure is reflection on Mike Wolfe or that the job and genre attracts a certain person.

Mike and Frank weren't there, but they would be in a few days (in which the shop is closed anyway for filming).  The counter cashier was short (as in borderline rude, not a reference to height), though if I was asked "How is Mike to work for?" 100 times a day, maybe I would be similarly disenchanted.

LeClaire isn't very far from the beaten trail since it is on I-80, one of the nation's most popular interstates, so it's definitely worth a visit.  Similarly, Antique Archaeology isn't much more than some dude's garage with some junk which sells t-shirts, but the Pickers seem like cool guys, and it's the kind of place worth a quick pilgrimage.

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I reported recently on the claim that The History Channel's The Bible miniseries was casting Obama as the Devil- a claim first noticeably brought up by Glenn beck, who is usually busy fighting against tea party-type pro wrestling villains

Obama Doppleganger on "The Bible" series Blows Up Social Media

The story has since given us this 'but, but, liberals' story..

HBO's Game of Thrones had used a Dubya mask and put it on a stick.

Game of Thrones Showrunners Sorry for Putting Dubya's Head on a Spike

To be fair, I don't have a problem with either one.  Making Obama the Devil played well with my Conservative "friends" and The Bible really doesn't have much else going in its favor.

It's a series of scenes acted out of the Bible.  However, given that scenario, it makes it impossible for the actors to really develop their character.  The actors needing to make an impact in a hurry tend to overact.  Nor are the special effects much to crow about.  Filming The Bible is an ambitious project, but in some sense, I think the producers weren't ambitious enough.

Of course, the Obama story has given away to a bigger question.

Why are all The Bibles villains black and JC & the Heroes white?

Diversity Inc did an interesting article which includes the fact that while actor Mehdi Ouzaani has played Biblical villians for years, he is a Moroccan who doesn't particularly look like Obama on his day off.

Moroccan actor Mehdi Ouzzani: Skin Darkened to Play Satan

The article then goes on with a list of actors who have played the ultimate bad guy in recent years, and they are usually white- Nicholson in Witchs of Eastwick, Pacino in The Devil's Advocate or are big red evil horned beasts - Tim Curry in Legend and uhhh... the Devil in South Park.

Time similarly questions why The Devil can't be this cloudy evil character a la the largely hidden hooded Emperor Palpatine.  Also, suggesting, maybe going the other direction and casting the Devil as the ultimate 'you can trust me' confidence man a la the Devil from such portrayals as the Twilight Zone's "Escape Clause".

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I watched a little bit of The Bible this weekend- History Channel's retelling of the book.

This is a much buzzed about Television Event in 5 parts and is drawing 12 million viewers (more than American Idol) and 50 million Americans have caught at least part.

You have to credit them for finding an audience.  I have heard a lot of conversations and seen a lot of Facebook posts, and quite simply, this is a good way to get viewers.

Personally, I don't like History's recent direction.  It may just be me, but I prefer the narrative documentary stories to the scripted actors playing roles.  At the end of the day, i really did enjoy The Men Who Built America, but I generally find their acted shows like The History of Us dull and uninteresting.

For the most part, the Bible falls into that last category.  It is done well, but it is not told in a way that really interests me.  In this case, they are picking stories and acting them out with no real additional narrative.  That's probably smart in order to keep it nondenominational and draw a big audience, and some people may enjoy that acting, but I really don't. 

I also must note I haven't seen Vikings and in much the same way I am not excited about the prospect (although the 30 second ads do look good).

Of course, had I stayed and watched more of the Bible, I would got to the interesting part.

The Prince of Darkness.  The Father of Lies



Oops, i mean...




In which, everyone says the Devil looks like Barack Obama. Producer Mark Burnett says it's "utter nonsense", and in which case, the actor has been playing biblical villains for years.

Now, if I was marketing a show towards the Far Right, it would be a stroke of genius; but we will just assume as with most things that a) it's the guy from the 'Whomp There it is"  video or b) just a plain old coincidence.

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Politics is hard.

If an ambassador like the Worm can't bring diplomacy to North Korea, what chance does anyone have.

Like the United Nations, I would probably just go and get smashed.

So credit to Rand Paul for his 12 hour Filibuster.

It was as all of your libertarian friends will tell you, just like Mr. Smith Goes to Washington.

That's silly of course, but we live in a world where the best political commentary comes from a show that used to be hosted by Craig Kilborn.

We live in a world where Subway runs an ad that implies on Presidents Day, Abe Lincoln, George Washington and Ben Franklin all celebrate.



So, I suppose I am fine among a society who wishes things were like they were back when Tommy Lee Jones was in the Senate.

Rand Paul's filibuster was an awesome thing.  Even liberal friends were texting me in the same way baseball fans tell you about a perfect game.

Rand's big night was probably the biggest political moment since Clint Eastwoo'd's speech at the GOP convention.  Except more marginal, lost in the higher cable channel number of CSPAN2.

That said, a comparison to Eastwood seems proper.  Paul's speech was no Mr Smith, and Eastwood was no Grandpa Simpson, but it was the buzz around the event, not the actual event that is the important thing.

Rand's speech wasn't anything that wasn't typical CSPAN fare.  I did tune in to him all through the night.  Indeed, i was impressed that Rand kept talking and seemed to continually bring relevant words out of his mouth, going back and forth with a Wyoming Senator like an experienced tag team.

I didn't stay until the late hours, when things got fun.  Senators bringing Paul apples and water, Ted Cruz reading lines from Patton and Henry V, and GOPers who had earlier in the night been treated to dinner by Obama sharing details.  The thing ended with Paul calling it for an act of nature, which means he hadn't thought of those wacky morning shows think of, wearing an adult diaper.

Of course, at the end of it all, Paul had pissed off both Democrats and Republicans, so he must have done something right.  That said, Paul is obviously gearing towards the 2016 election, and although this is most likely a point in his favor, I can't help but think that Chris Christie struck a better chord with the voter in two minutes than Paul did in twelve hours of work.

For more commentary, I will point you over to defFrog and for a fun history lesson, then head over to Foreign Policy, which contains these all-time gems.

In 1924, a Rhode Island Senate filibuster extended 42 continuous hours over three days and "began with a mass fistfight over control of the gavel and ended when Republican operatives placed a poison-soaked rag behind [Democratic Lieutenant Governor Felix] Toupin to gas him out of the presiding officer's chair," according to Gregory Koger's Filibustering: A Political History of Obstruction in the House and Senate.

...

Perhaps the most dramatic filibuster, though, occurred in April 1963 in the Philippines. With legislators evenly divided between supporters of the Liberal Party incumbent, Diosdado Macapagal, and Nationalist Party up-and-comer Ferdinand Marcos, it came down to the Senate to decide the presidency. The day before the scheduled vote, Marcos visited Liberal Senator Roseller Lim, offering to pay off his home loans in exchange for a swing vote. Lim refused and Marcos, incensed, swore at him and his family before departing.

The next day, the Liberal senators were a man down -- Senator Alejandro Almendras was still en route, returning from a throat operation in the United States. Lim took the podium and spoke for 18 hours and 30 minutes -- he could not sit or eat, and he urinated in his pants at the podium rather than allow the vote to occur without the Liberals' crucial swing vote. Finally, Lim yielded the floor upon hearing that Almendras's fight had landed, and collapsed onto a waiting stretcher after casting his vote

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So, there was Seth McFarland hosting the Oscars.

It's like the old snake parable.  You knew you were getting Seth Mcfarland when you hired him.

So, I find it hard to get too upset over Ted's anti-Semitic remarks or the Boobs song.

McFarland got the attention and the ratings, so no one can be too upset, right?

I thought he was generally good.  He is funny, but he also really loves movies.  he really may be the Mel Brooks of our generation.  Seth was really enjoying those song-and-dance numbers.

Besides, I wouldn't have liked Tina Fey and Amy Poehler (They got a lot of good buzz out of this, but Tina says she isn't interested).  I don't remember anything from the People's Choice Award except Jodie Foster got onstage and gave a speech Clint Eastwood thought was a bad idea.

So, we're likely to get something vanilla next year (a la Hathaway & Franco) and then, followed by a Chris Rock/Gervais/ Colbert 'hip' host that will be hyped, but then the media won't like; until they convince Billy Crystal to come back, as that seems to be the only host America can agree on.

As far as the Awards, it did seem to be the year that Oscar found a way to honor all of the Movies.  It felt like Argo, Django, Les Miz, Zero Dark Thirty, and Lincoln all got appropriate recognition. I haven't seen Argo, but it feels like a banner year for movies.  The kind of year we haven't had since the 90s.  True, last year had a list of great movies that I eventually went out and see (and America did too); but 2013 was a year when the top contenders all had done fairly well at the Box Office.

Indeed, even the year's blockbuster The Avengers (As McFarland jokes, the biggest movie of the year, which is why it only got one nomination) felt a real and deserving part of the Oscar ceremony.

2013 was a good year and the ratings were up.  I don't think this is something that will translate to where you can confirm 2014 will be equally as good, but it is a good sign for the industry.

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Elementary (CBS)- Ok, I am a sucker for a quirky detective.  Take a mid-90s indie movie star give him a certain tick that makes him brilliant but impossible to live with and I won't miss an episode (It's true- I never missed Tim Roth in Lie to Me despite its several faults.

Of course, the glaring problem with this show is it sets certain expectations by invoking Sherlock Holmes' name.  With the highly admired BBC's Sherlock  and Robert Downey Jrs successful movie franchise, this project can't really compete. 

Not that you need to worry about that.  The show doesn't really try to hide that it's the next procedural show off CBS's assembly line.  Nor do you need to worry that there is no chemistry between the stars Miller and Lucy Liu.  Given the circumstances of the show, there shouldn't be.

Of course, this is Miller's show and he's captivating.  Although, at times his antisocial behavior resembles not House or Dexter, but Dr.  Sheldon Cooper.  CBS doesn't encourage too much originality, and at times, this resembles too much of CSI: Big Bang Theory.  Even if Sherlock's quirks are played more for light humor than dark brooding, it's not necessarily a bad thing.

There's reasons you might not like it (The viewer never really gets to solve the mysteries), but I enjoy it a lot, based on Miller's quirky, charismatic character.  Aidan Quinn and Liu prove solid support.  Based on the concept, I didn't have this as a show to make the cut, but based on what I have seen, I think it will catch on.

Certainly, it's become probably my favorite show of the 2012-13 season.

Last Resort (ABC)- I am getting to this one late and it sounds like it is close to the chopping block.  It has writers and creators with a decent pedigree (Lost, Dead Like Me, The Shield), but I am clearly here for Andre Braugher (Homicide) in a lead role.

Braugher indeed is the reason to watch this show as he unsurprisingly gives a strong performance here.  The rest of the cast is decent support with Robert Patrick (Terminator 2, X-Files) playing his charismatic regular role.

This was one of the best-reviewed shows of this new season, and at its best moments has some great potential.  The plot involves a submarine that is given some questionable orders to launch nuclear missiles into Pakistan.  The commander (Braugher) refuses, which leads to the US attacking its own ship, sinking the boat, and leaving the group marooned on a resort island (which makes the title).  I have heard comparisons to Lost and  Battlestar Gallactica and its best, it really offers a lot of possible directions to go (There is military action, ensemble group interaction, a conspiracy, and the mysterious seclusion of a desert island).

However, critics and viewers (and people I know) have started to abandon the show after episode 4 or so.  I am backlogged, so I can't speak authoritatively, but there's flaws as early as that pilot episode.  

While the show could pull in people who like military action and suspense fans, it sort of straddles that line, and may lose fans of either.  Worst of all, the show occasionally steers into the kind of terrible emotional melodrama (and terrible sex stories) that populate ABC's most popular shows of recent years (Desperate Housewives, Gray's Anatomy).

Likely, the end will be premature, which is a shame because Braugher is amazing and marketed right, could become a bit of a cult hit.  I don't know how ABC gets there.  Grey's Anatomy doesn't seem like the most obvious of pairings on Thursday Night, and I don't know that audience would embrace it (though it more resembles that show than say, a military procedural show like NCIS).  Although it's Political at times, it's more soapish than West Wing.  Best then, probably for ABC to embrace the similarities with Lost, but unlikely that lightning will strike twice.

So many directions this could go, but it sounds like the likely destination is Cancelville.

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Partners - At some point, CBS became the king of comedy.  I am not sure how, but sure enough, the shows people talk about and the funniest shows are on CBS (Big Bang Theory, Mike & Molly, Two Broke Girls) and going back a few years to the golden years of How I met your Mother and the guilty pleasure of Charlie Sheen-era Two and a Half Men.  So, I really wanted to like Partners, which looked like the most promising comedy of the new year.

It's basic enough- two best friends have a relationship that is rocked by the two loves of their lives.  One would guess there's a bunch of comedy to mine here, but there really isn't.  David Krumholtz has leading man potential, but his character isn't likeable in the least.  The same goes for Micheal Urie, the gay best friend, who is confined to Clay Aiken and Bette Midler jokes.  One wonders if CBS decided they are okay with an openly gay lead, by showing absolutely no chemistry between the two gay characters.  Brandon Routh, in that role, is terrible, which is a shame, because he is a local, and is a really good person.

I am reminded a bit of Free Agents, NBC's recent swing-and-a-miss.  That sarcastic Type A character was at least Hank Azaria, and if Azaria couldn't pulloff a sitcom smash, I don't see Krumholtz doing any better.  This is typical sitcom material, but at least, it could be funny.

I think CBS will try to push this as far as I can.  Unfortunately, I don't think there is enough here to keep it afloat.

Vegas-  One of CBS's biggest gambles this year is on Vegas which stars Dennis Quaid, Michael Chiklis, and Carrie Ann Moss.  Okay, that is a strong cast, and I think that this gives the show a big upside (not to mention to be helmed by the writer of Casino and Goodfellas).  Quaid is lampoonable with his permanent scowl, but does give the show a strong lead.  Chiklis, of course, is mesmerizing, and the support for the show is all strong too.

One must always remember this is a CBS show, and one will need to temper their expectations.  This might be a great drama if it was given the Showtime or HBO (or even FX) treatment, but would be a hard sell for network tv.  So, while this show strives to be Boardwalk Empire (the story of a growing 1960's Las Vegas), but is just as much Walker, Texas Ranger (there's plenty of Chuck Norris' style buttkicking). 

This being CBS, this is also not just a period piece with rustlers, mobsters, and DA's.  It is also (like most, if not all of CBS's most successful shows) a procedural crime show.  That bit isn't necessary, but one feels CBS is hedging its bets by sticking to the formula that works.  It's CSI:Noir then.

I liked the first two episodes. though others said it was slow.  The set-up, location and the collection of characters should give a wealth of material to draw from, and the interaction between Quaid and Chiklis as time goes on should be good fun.

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I am making a pledge (a pre-New Year resolution, if you will) to read more.

I also am going to try to watch more tv.

I don't watch a lot of tv, outside of wrestling (of course), just NCIS and a handful of sitcoms. 

TV is one of those things everyone seems to have strong opinions on, so I am going to be brave, and here goes.

Go On - I grew up in the years of the NBC powerhouse (Cosby Show, Cheers, Friends) and I always figured their dominance would last. 

It hasn't, of course, and even though not all NBC shows are awful, I don't even particularly like the good ones (I do like Community) that everyone goes on about.

I really wanted to like Go On, but it's a prime example of how NBC gets it wrong.  It is as if someone at NBC said "Let's take bits of shows everyone loves, and there's no way it can miss."

So Go On is Chandler Bing (Matthew Perry, in the lead role, of course) with Frasier's job (radio guy) and a Community-style support group with a Garrett Morris (2 Broke Girls) curmudgeon.  How could it miss?

It does, though, and like Up All Night, there's a nagging suspicion that it might be a good show if someone besides NBC had got their hands on it.  Bits of the episode I watched were actually very funny, but I wouldn't (and this is how Americans show their support in 2012) DVR it.  It would be a better show if it found itself (I am certain it won't), but it will fall off the radar pretty fast.

I also watched bits and pieces of The New Normal, which again sounds like an NBC exec's pitch ("If we make a show that is Glee meets Modern Family, we can't lose).  Of course, it ends up being a show that wants to be Modern Family than anything else.  I didn't really find it funny, and although it was advertised as being from the team behind Glee (a show i don't watch, but have liked what I have seen), I was really disappointed.  I found it unwatchable.

Revolution - Ok, I was caught up by the hype of the JJ Abrams produced project.  I am going to probably lose some of you here, but I actually liked it.  Of course, I am afraid that it will probably be cancelled before it goes anywhere, but we will see.

I am going to cut right away to the fact that it is very much Young Adult fiction (and yes, it is very Hunger Games-ish, with a bow-wielding teenage heroine).  The first episode would hardly stand up in the minds of any skeptic (Apparently, if you want to find someone in Chicago, you go there, and you will find him).  It is a post-apocalyptic world that has been around 15 years with no electricity.  There's a lot of questions you could ask that would sink the whole premise.

It maybe works in favor of the show, that it sort of just glosses over the details.  Indeed this show could be written with grim Walking Dead seriousness, but I think that would only manage to get the show cancelled quicker (I never did see The Event, but I am told it was not easy tv for the masses to follow).

I find the cast decent and workable (No one stands out, but everyone is competent).  Tracy Spiridakos will likely be loved by the geek community.

It's got a strong concept that will keep people hooked, the effects look decent, and just something about it worked (I can't quite put my finger on it, so I am going to say it is Jon Favreau's (Iron Man, Elf) direction.  I have seen a lot of terrible SyFy movies, and this show works in the ways that a lot of those original films don't.

Like the Hunger Games, I sense that some people might want more out of it, but I think it's positives outweighs its negatives, and I am certainly going to commit to it (at least short term) and am interested to see where it goes.  I give it a passing grade, and I half-expected to hate it. 


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I mentioned the 2016 election yesterday with the assumption that the GOP will need a candidate.  I completely forgot the Democrats will need someone.

This is probably the appropriate place to mention that Maryland Governor Martin O'Malley will be headlining Iowa's biggest Democratic fundraiser, the Harkin Fish Fry.  I know next to nothing about O'Malley, but if he's our next President, you heard it here first.

While Biden and Clinton rumors will always fly, former Iowa Governor and current Agriculture Secretary Tom Vilsack has mentioned he might run in 2016.  Vilsack planned a 2008 run, but was unsurprisingly a nonstarter in a field with Clinton, Edwards, and Obama.

I like Vilsack, and I think he a high ceiling.  On one hand, he's a moderate Midwesterner, and maybe, he will be limited on a national campaign like Gephardt.  Still, i think he has some potential to be a charismatic ex-governor a la Clinton, Dubya, and Huckabee.

Speaking of Democrats, the Indie Rocker-in-Chief is in Des Moines this weekend.  I give him this title because he picked the Decemberists as his opening act in 2008.  In Des Moines, he will be accompanied by Chris Cornell and the National.

I will take those bands over Night Ranger's Jack Blades,Taylor Hicks and Three Doors Down anyday.  (Though, Trace Adkins pumping up the GOP crowd by playing his hit "Marry for the Money" seems oddly appropriate to the Right's message.)

Of course, I can't end without some mention of Clint Eastwood's speech last night (which you probably already know was a conversation with an invisible seated Obama),

Opinions will vary, but I liked Eastwood's speech.  Granted, I liked Eastwood a lot, and I am not unopposed to doing something unconventional.  Clearly, there are some major issues with it. 

For starters, I think it was lost on some of the audience.  Maybe it could have been done a different way, perhaps he could have addressed a picture.  He also implies that Invisible Obama (who already has 50,000 followers on twitter) tells him (Eastwood) to go f--k himself.

At best (my opinion) Clint was compelling.  At worst, he appeared a senile old man.  In either case, by preceding Romney, he stole the night.  While I am sure it seemed a good late-minute surprise, the timing of his "act" couldn't be worse.  Although Romney's speech got good reviews (I tuned out), it seems a secondary story.

Ann Romney called Clint's act "unique", which is the same word you tell someone who has made a bad fashion choice.

Once again, I actually liked Eastwood (and it won;t convince me to pull the lever for Willard), but I've got a feeling that I am in the minority here.

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As I got off the plane upon my return to Des Moines, i was greeted by a crowd who had gathered to see soemoen who had went off and made world history and the state proud.

Oddly, it wasn't me.

It was Liang Chow, better known as the personal coach for Olympic gymnasts Gabby Douglas and Shawn Johnson.  He runs a gymnastics club in West Des Moines.  He from all appearances, appears to be a very friendly, optimistic person.  Unfortunately, from my encounter, you won't get any great insight.  He was very polite and civil while waiting for luggage to come off the carousel.  That is all I can offer up.

I watched quite a bit of the Olympics, and since most people have already covered it, I don't know that I have any further insight there, either.  For the most part, I thought NBC's coverage was fine, though I certainly understand the criticisms.  If only NBC had a family of channels where perhaps they could have shown some live events, instead of taping everything.

I am told the NBC.com streaming events wasn't great, though it should be noted, in four years, the technology won't be needed (for those in the US, as the games will be in this hemisphere) and in eight years, technology shouldn't be a problem.

I missed the Opening Events and heard the criticism of them being edited (I understand that), and the only part of the closing events, I saw was Eric Idle singing "Always Look On the Bright Side of Life" (which  seems appropriately British).

the other local story besides Gabby and Chow.  I actually predicted this.  Lolo finished a disappointing fourth.  I think Lolo had been built up so much as a gold medal sure thing, that it was almost inevitable that she wouldn't succeed.  I really do feel this was a case of the media building someone up and then tearing them down when they don't do everything we expect.  Yes, she was on Leno and everywhere else, but I don't really blame her.

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