I Read Comics : Mark Millar edition
Apr. 15th, 2012 11:46 amSidenote 1: I am not only a big fan of Mark Millar, I've pretty bought much been a fan since he first appeared in American comics. Personally, I use Millar as an example of breaking comics into the mainstream, certainly, 100x's more effective than big budget special effects movies starring Ryan Reynolds. It's not Millar's fault that comic fans generally have no room for his points of view.
Millar is a divisive figure in comics, and it probably doesn't help that his promotion style seemingly each year approaches more and more of that of Kanye . The most recent bragging is not only that Millar is a legend, but that there are only three types of comics that matter (DC, Marvel, and whatever Millar is writing).
I still like Millar, even after all of that because 1) if you are going to make your living as an artist, you need to tell everyone you're the best 2) I am pretty sure Millar doesn't mean most of it and is having a bit of a laugh and 3) well, it's sort of true isn't it. Millar has to be on the short list (JJ Abrams, Joss Whedon) who are doing the best job of bringing comics to the mainstream.
In any case, once again this year, Millar is releasing a half dozen new titles this summer -all int he style that he has done quite well with in the last couple of years. So how are they...
The Secret Service (Marvel/Icon)- Secret Service has high expectations in that it teams Millar up with Watchmen-artist Dave Gibbons. Of all upcoming Millar titles, one assumes the biggest and best ideas will go here.
I know a little bit about where this is headed from reading spoilerific news stories, but it will be a bit unclear to readers of issue 1 quite where this is headed. It is certainly ambitious, and looks to be headed into a story of a Secret Service that may not be too dissimilar to the Watchmen (my first thought. The second thought I had was that this just may be a ripoff of The Boys). it tries to marry that with a rough-hewn British working class struggle story not dissimilar from the likes of This is England
Secret Service, though, generally doesn't work in issue 1. The superhero aspect is a pale imitation of the Boys, and the kitchen sink drama is nowhere near the quality of Garth Ennis's recent The Boys miniseries Butcher...
I am not sure how long Millar has been in America, but the dialogue sounds like it was written by a teenage midwesterner who has read a bunch of Irvine Welsh and watched a bunch of Ken Loach films and thinks he can write "British".
Perhaps, the story Millar wants to tell here would be better served by 30 minutes of Guy Ritchie film than in 20 pages in a comic book. The action (which features supercriminals kidnapping actors from science fiction franchises like Star Wars, Star Trek and Dr Who) never really feels completely captured.
All said, I will blame this on a rushed set-up. Millar's work usually is worthwhile and were I have to waited until the inevitable trade paperback, maybe this story really will come together and gel. It's too early to throw out this comic yet.
Super Criminals (Marvel/Icon/Millarworld) - On the other hand, I loved Super Criminals. The plot being that there are too many superheroes in America, so why stay here if you are a supercriminal ("There's no Captain Spain" the comic points out.
The internet comic community hates this title, which means its Millar at its finest. It's snappy, sarcastic, and vulgar. I like the nod to the fact the good guys always win, Joker always goes back to jail, and the Avengers always have you outgunned. Supercriminals are essentially the new mob, running vice and Las Vegas.
You're likely already familiar with Leinil Yu from his previous work with Millar, but he is the perfect compliment to Millar's story. I like this one a lot and will be raving about it, while fanboys across the nation will again claim this is what is wrong with Millar.
Sidenote 2: reading these titles as they come out, I am struck by one major thing. Millar famously is connected with his mentor Grant Morrison, but maybe we should focus on where Kevin Smith's influence came in. I mentally noted when there was a character named Walt Flanagan in Super Criminals. However, alerts went off when Mark Hammill makes a guest appearance in the first few pages of The Secret Service. I figure it's only a short matter of time before Jay and Silent Bob show up.
Millar is a divisive figure in comics, and it probably doesn't help that his promotion style seemingly each year approaches more and more of that of Kanye . The most recent bragging is not only that Millar is a legend, but that there are only three types of comics that matter (DC, Marvel, and whatever Millar is writing).
I still like Millar, even after all of that because 1) if you are going to make your living as an artist, you need to tell everyone you're the best 2) I am pretty sure Millar doesn't mean most of it and is having a bit of a laugh and 3) well, it's sort of true isn't it. Millar has to be on the short list (JJ Abrams, Joss Whedon) who are doing the best job of bringing comics to the mainstream.
In any case, once again this year, Millar is releasing a half dozen new titles this summer -all int he style that he has done quite well with in the last couple of years. So how are they...
The Secret Service (Marvel/Icon)- Secret Service has high expectations in that it teams Millar up with Watchmen-artist Dave Gibbons. Of all upcoming Millar titles, one assumes the biggest and best ideas will go here.
I know a little bit about where this is headed from reading spoilerific news stories, but it will be a bit unclear to readers of issue 1 quite where this is headed. It is certainly ambitious, and looks to be headed into a story of a Secret Service that may not be too dissimilar to the Watchmen (my first thought. The second thought I had was that this just may be a ripoff of The Boys). it tries to marry that with a rough-hewn British working class struggle story not dissimilar from the likes of This is England
Secret Service, though, generally doesn't work in issue 1. The superhero aspect is a pale imitation of the Boys, and the kitchen sink drama is nowhere near the quality of Garth Ennis's recent The Boys miniseries Butcher...
I am not sure how long Millar has been in America, but the dialogue sounds like it was written by a teenage midwesterner who has read a bunch of Irvine Welsh and watched a bunch of Ken Loach films and thinks he can write "British".
Perhaps, the story Millar wants to tell here would be better served by 30 minutes of Guy Ritchie film than in 20 pages in a comic book. The action (which features supercriminals kidnapping actors from science fiction franchises like Star Wars, Star Trek and Dr Who) never really feels completely captured.
All said, I will blame this on a rushed set-up. Millar's work usually is worthwhile and were I have to waited until the inevitable trade paperback, maybe this story really will come together and gel. It's too early to throw out this comic yet.
Super Criminals (Marvel/Icon/Millarworld) - On the other hand, I loved Super Criminals. The plot being that there are too many superheroes in America, so why stay here if you are a supercriminal ("There's no Captain Spain" the comic points out.
The internet comic community hates this title, which means its Millar at its finest. It's snappy, sarcastic, and vulgar. I like the nod to the fact the good guys always win, Joker always goes back to jail, and the Avengers always have you outgunned. Supercriminals are essentially the new mob, running vice and Las Vegas.
You're likely already familiar with Leinil Yu from his previous work with Millar, but he is the perfect compliment to Millar's story. I like this one a lot and will be raving about it, while fanboys across the nation will again claim this is what is wrong with Millar.
Sidenote 2: reading these titles as they come out, I am struck by one major thing. Millar famously is connected with his mentor Grant Morrison, but maybe we should focus on where Kevin Smith's influence came in. I mentally noted when there was a character named Walt Flanagan in Super Criminals. However, alerts went off when Mark Hammill makes a guest appearance in the first few pages of The Secret Service. I figure it's only a short matter of time before Jay and Silent Bob show up.